The Vikings’ master control room also provides 1080p content that is vitally important to the team. “Right now we have three 4K paths and 12 1080p paths in each direction between master control and the truck bay, but there is room for expansion as the needs grow.” “We have been careful to plan for future demand by installing an Evertz router that has room for additional 4K and 1080p signal paths,” Cating said. This can be particularly vital during contested calls, when the referees, teams, and fans want to see what happened on the big screen.”Īgain, this content is shared with the Viking’s NFL broadcast partners via cabled connections. “Using the ‘region of interest’ feature, we can zoom in on any part of the picture and review the play. “It is the 4K instant replay system that provides real value for the Vikings,” Cating said. All four can access, record and playback content sourced from the stadium’s 18 Sony cameras. The control room is also equipped with four EVS XT3 instant replay stations three in 1080p and one in 4K.
This is where all of the in-stadium display feeds, streaming video feeds, and social media live content are produced. These 4K feeds are delivered to the Viking’s master control room on the stadium’s upper level, which is equipped with a Ross Acuity video switcher and Evertz EQX router. This is where all of the in-stadium display feeds, streaming video feeds and social media live content are produced. The Vikings’ master control room on the stadium’s upper level is equipped with a Ross Acuity video switcher and Evertz eQX router. Since there is not yet a ratified 4K transport standard yet, working in IP was a strategic decision.” “Working in IP eliminates the problems associated with sending 4K signals over copper, where you need four separate copper cables with BNC connectors to carry a single 4K video feed. “All of the cameras output 4K signals converted for IP transport that live inside a hybrid 4K/1080p production plant,” he said. The fixed camera positions are connected to either SMPTE or single-mode fiber-optic cable, according to Cating. Meanwhile, the 1080p PTZ cameras are Sony SRG-300Hs, while the 1080p wireless cameras are Sony PMW-X500s, using Vislink Wireless. The other eight 4K cameras are all Sony HDC-4300s, manned and mounted on tripods around the stadium.
Viking stadium design tv#
From this bird’s eye position, the Vikings’ production staff-and by extension, TV viewers-can see what is happening anywhere on the field in 4K clarity. There is a huge beam above the field over the 50-yard line, under which Alpha Video Sports & Entertainment Group-the Eden Prairie, Minn.-based AV and broadcast integrator for the project-has installed a remotely-controlled Sony PMW-F55 with a pan-tilt-zoom head. Bank Stadium, this translates to the camera system including nine Sony 4K cameras. “So we are very familiar with this technology, and what it requires to function properly.”Īt U.S. “One of our corporate clients invested on the cutting edge with a 4K system a few years ago,” Cating said.
Viking stadium design professional#
Bank Stadium has a capacity of 65,400-expandable to 72,000 seats for a Super Bowl-and includes 116 suites and 8,000 premium club seats.Īs an experienced AV consulting firm whose credits include both professional and college-level stadiums and arenas, Idibri has kept a close eye on 4K’s progress.